View Post

Masters Interview with Alfonso “Banshee” Giraldes Pt2

So Part 2 of my interview with Alfonso “Banshee” Giraldes is finally here and I can only apologise for the delay, if you didn’t read or you have forgotten Part 1, you can read it HERE! So without further delay let’s see what Banshee has to say about Frazetta and the Masters, sculpting, paints and the anonymous bust to name …

View Post

Painting Flesh Tones with Layered Glazes by David Soper Part 2

Painting Flesh Tones – the PRELUDE With Akito’s face painted, see Part 1 Painting Flesh Tones HERE, it was time to turn my attention to the flesh tones on her torso but this would not simply be a matter of repeating the process to achieve a similar effect. Although I would be working with the same colour palette and layered glazing …

View Post

Using Object Source Lighting to Create Ambience – “Shine a Light”

Object Source Lighting – the PRELUDE My newest piece Valaska Sin is both an exercise in working to a tight deadline, so my painting was forced into a no-nonsense mode where I had absolutely no time to stop and think, and a study in source lighting, mood and ambience. These two exercises work surprisingly well together, because alternative lighting and …

View Post

Another Brick In The Wall, Building a Scenic Base, by Mary Profitt

PRELUDE Another Brick Another Brick In The Wall was Mary gentle’s Gold winning entry at Crystal Brush in 2015. I have known the works of Mary Profitt pretty much dating back to when I started my Facebook profile for my painting, as it turns out we both started our painting lives the same year! I have been wanting a little …

View Post

The Science of Oil Paints with Kyle Kolbe

Do you trust your paints? Do you want your miniature masterpieces to not fade or darken with time and light exposure? To mix color reliably and paint permanently you must know your pigments contained in your paint. I delve deep into the properties of an elite palette of pigments that will let you mix the right color and save your …

View Post

Painting Black Power Armour by Giovanni Di Lena

Painting Black Power Armour – PRELUDE Hi all! About a couple of months ago Jason aka Redrum asked me if I was interested in showing how I paint the Black Armour for my Deathwatch Space Marines. Obviously I was! And I would like to thank Jay for his interest and for this fantastic opportunity. So here we are, and I’ve prepared for …

View Post

Painting the Butcher by Macca Chung

Painting the Butcher – PRELUDE Hello! Macca here and I am very happy to be contributing an article, I am a figure painter from Melbourne and I hope you enjoy this my first article for figurementors! The Butcher bust from Spawning Pool Studios was a lot of fun to paint. I thought of doing a step-by-step, but frankly, there is little to my …

View Post

Some insights on creating ambience by Raffaele Du Marteau

Some insights on creating ambience – PRELUDE Raffaele is a fantasy figure painter from Fidenza in Italy, I asked if he would give us some insights into the Mercenary figure he painted from Tartar Miniatures. The following is a short account of some of his musings (Ed). “Hi folks, before starting with the “technical flow” let me introduce this work …

View Post

Character Design by award winning Concept Artist Mirko Failoni

Character Design – PRELUDE As some of you would have seen recently I am currently painting the Mushroom Shaman from Mindwork Games, a figure based on the concept art by Mirko Failoni. There is no bigger honour than having the concept artist tell you that your version of a figure perfectly captures what he was trying to portray in the artwork, …

View Post

First Time Painting Historical Figures? Here’s Some Advice…

First Time Painting Historical Figures? Here’s Some Advice – INTRODUCTION This site is not focused on any one genre of figures.  We hope to expose people to all sides of the modelling hobby.  Speaking for myself, sometimes it feels like there is a disconnect in the figure painting community between the fantasy/Sci-Fi crowd and the historical crowd. Certain sites, shows, …

View Post

Understanding your oil palette with Dmitry Fesechko

  Hello! I want to tell you some words about oils paints and some words about palette. I know that not so many painters use oil paints that much, but some principles could be used also for acrylic paints on wet palette for example. Ok, you have decided to try oils for painting miniatures, that’s awesome! The first question of …